The Concept of Movement and Time in the Islamic Decorative Design of the Alhambra The decorative design in the Alhambra is characterized by a process in which shapes are transformed and stripped to create movement that gives continuity and suggests permanence. Thus, the shapes are repeated to achieve fluidity with its absolute beauty and an attempt to reach a truth that is not related to a specific place and time. The decorative design there acquires the characteristics of continuity, communication, and extension through its continuous movement, as it is any movement, the secret of the structural structure of the temporal and spatial image. The becoming of the decoration of the Alhambra consists in a series connected by worlds of harmony and overlap with the concept of movement and its direction related to time to form an important dichotomy (movement / time duality). Time is how much movement is destined and it is a presentation of movement that has no essence. It does not know by itself but by others, despite the presence of advanced and late in it, but it is not possible to feel that without being associated with advanced and late movement. The reader of this book can read the following: 1. Introduction about the book. 2. The most important terms in the book. 3. Chapter one: The emergence and development of Islamic decoration. 4. Chapter Two: The Alhambra Palace, Its Architecture and Decoration / Historical Mulching. 5. Chapter Three: artistic and intellectual foundations for the concepts of movement and time in the Islamic decoration. 6. An analytical reading of samples of the decorative designs of the Alhambra 7. Summary.

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